In Conversation with Gautier Capuçon: Collaboration, Connection and the Sound of Earth

An interview with the world-renowned cellist Gautier Capuçon. Plus, a tale of sisters takes the stage at Berkeley Rep and Cal Performances shares a taste of Manual Cinema’s upcoming show.

In Conversation with Gautier Capuçon: Collaboration, Connection and the Sound of Earth
Gautier Capuçon. | Photo by Anoush Abrar

You had probably the most dramatic debut anyone has ever had with the San Francisco Symphony. [In 2009, Capuçon was stricken with appendicitis after his first rehearsal of the Schumann Cello Concerto and underwent emergency surgery].

After the operation I called [guest conductor Semyon Bychkov] and I said, ‘Look, Semyon, I didn’t come all the way from Paris just to go to the hospital. I want to play!’ He and the Orchestra were so kind that they actually didn’t replace me; they substituted another orchestral piece in the first two concerts. So I made my debut at the last concert. It’s of course a debut that I will never forget! Every time I’ve been to San Francisco since then we joke about it. The SF Symphony is a great family, and I’m always very happy to make music with them.

What can you tell us about the concerto you are playing here in the spring?

The Saint-Saëns First Concerto is of course one of the most-played cello concertos; I’ve played it since I was very young. It’s very alive, and really well-written for the cello, very operatic in a way, dramatic, and romantic. 


On the Stage

The Hills of California

Theatre | Berkeley Repertory Theatre
Now – December 7 | Tickets

Internationally renowned Olivier and Tony Award-winning playwright Jez Butterworth weaves the compelling, tender, and savagely funny tale of the Webb sisters’ return to their childhood home in an English seaside town. 

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Escape the doldrums of early evenings and cold weather in a warm, inviting theatre.

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