September 15 – October 18, 2026 | Francis J. Gaudette Theatre • October 24 – November 15, 2026 | Everett Performing Arts Center
In This Program
- About the Show
- Credits
- A Note from Adam Immerwahr, Artistic Director
- A Note from Derek Watanabe, Managing Director
- Musical Numbers
- Who’s Who
- Past, Present, and Ragtime
- Next On Stage: Come From Away
- Sponsor Spotlights
- Print Edition
- More About Village Theatre
About the Show

ADAM IMMERWAHR, Artistic Director
DEREK WATANABE, Managing Director

Book by
Terrence McNally
Music by
Stephen Flaherty
Lyrics by
Lynn Ahrens
Based on the novel “RAGTIME” by
E.L. Doctorow
Original orchestrations by William David Brohn
Additional orchestrations by Kim Scharnberg
Francis J. Gaudette Theatre
SEP 15–OCT 18, 2026
Everett Performing Arts Center
OCT 24–NOV 15, 2026
Set Designer
Christopher J Mumaw
Costume Designer
Sarita P. Fellows
Lighting Designer
Sherrice Mojgani
Sound Designer
Gino Scarpino
Stage Manager
Colleen Nielsen
Choreographer
Jimmy Shields
Music Supervisors
Tim Symons and Sheilah V Walker
Director
Joe Calarco
RAGTIME 9 PIECE ORCHESTRATION is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. www.mtishows.com
Any video and/or audio recording of this production is strictly prohibited.
Setting
Early 20th century in New York City, Harlem, and New Rochelle
Season Sponsors
4Culture
Artsfund
Boeing
Microsoft
Enzo's Bistro & Bar
Hook & Cleaver | Lombardi's Italian Restaurant and Bar
Producing Sponsors
City of Issaquah Arts Commission
Seattle NorthCountry, made possible in part by assistance from the Snohomish
Show Sponsor
Rowley Properties

Credits
Cast
Harlem Activist and Others
Brandi Birdsong
Coalhouse Walker III
Zachary Bruce III
Younger Brother
Kooper Campbell
Sarah
Jaden Dominique*
Coalhouse Walker III
Ari Hunter
J.P. Morgan and Others
Mark Ivy*
Grandfather and Others, Fight Captain
Eric Polani Jensen*
Sarah’s Friend and Others, u/s Sarah
Zhanea June
Little Girl
Sloane Lewis
Harlem Trumpet Player and Others
Donovan Mahannah
Harry Houdini and Others, u/s Tateh
Nick McCarthy*
Little Boy
Will Pengelly
Father
Matthew Posner
Tateh
Jed Resnick*
Coalhouse Walker, Jr.
Yusef D Seevers*
Little Girl
Sawyer Settles
Little Boy
Owen Shaflik
Emma Goldman and Others
Jasmine Jean Sim
Harlem Barber and Others, Dance Captain, u/s Booker T. Washington
Charles L. Simmons*
Coalhouse Walker III
Brianna Sims
Booker T. Washington and Others
Arlando Smith*
Henry Ford and Others, u/s Father
Mike Spee*
Mother
Allison Standley*
Harlem Lawyer and Others, u/s Coalhouse Walker, Jr.
Chandler T. Thomas*
Evelyn Nesbit and Others
Miranda Antoinette Westman
Willie Conklin and Others
Cameron Widmark
Understudies
Sarah's Friend, Harlem Activist and Others
Ania Briggs
Younger Brother, Harry Houdini, Henry Ford and Others
Will Chadek
Evelyn Nesbit, Emma Goldman and Others
Cherisse Martinelli
J.P. Morgan, Grandfather, Willie Conklin and Others
Christopher Puckett
Harlem Trumpet Player, Harlem Barber, Harlem Lawyer and Others
Elijah Yale
Mother
Jessica Ziegelbauer
Stage Management
Stage Manager
Colleen Nielsen
Assistant Stage Manager
Nicola Krause
Assistant Stage Manager
(8/4/26-10/4/26)
Miranda Mikolaizik*
Assistant Stage Manager
(9/30/26-11/15/26)
Anna Vraney*
Production Assistant
Monique Otter-Johnson
*The Actors and Stage Managers are members of the Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.
For This Production
Associate Director
Bretteney Beverly
Associate Choreographer
Katie J. Newbury
Associate Music Director
Rebecca Smith
Assistant Lighting Designer
Trevor Cushman
Costume Design Associate
Matthew Lott
Textured Hair Consultant
Jerrilyn Duckworth
Cultural Consultant & Dramaturg
Cessalee Stovall
Dialect Coach
Gin Hammond
Vocal Coach
Aaron M. Davis Norman
Intimacy & Fight Director
Geoffrey Alm
New York Casting
Geoff Josselson, CSA
Rehearsal Pianist
Ben Bentler
Music Prep
Paul Stovall
Crew
Head Stage Carpenter (Issaquah)
Whitman Paylor
Head Stage Carpenter (Everett)
Chris Mikolaizik
Lead Deck, Props (Issaquah)
Paige Donald
Lead Deck, Props (Everett)
Kyle Morgan
Key Deck
Richard Cole
Head Electrician (Issaquah)
Paul Arnold
Head Electrician (Everett)
Brandon Cullinan
Follow Spot Operator (Issaquah)
Jerena Layacan
Follow Spot Operator (Everett)
Olof Sander
Follow Spot Operator (Full Run)
Casey Leugemors
Head Audio (Issaquah)
Steven Younkins
Head Audio (Everett)
Jesse Worley
Lead Audio (Issaquah)
Max Hutzell
Lead Audio (Everett)
Charlie Sandford
Swing Technician
Olof Sander
Child Actor Guardian
Amy Jurkiewicz
Head Wardrobe (Issaquah)
Kate Simpson
Head Wardrobe (Everett)
Malena Langlie
Lead Wardrobe (Issaquah)
Malena Langlie
Lead Wardrobe (Everett)
Ash Smith
Key Wardrobe
Myla Hightower, Arlo Stephenson
Laundry/Daywork
Kanai Watson
Head Wig Artisan/ Resident Wig Designer
Doug Decker
Wig Assistant, Everett Maintenance
Jordan Kearns
Special Thanks
Rod “Red” Gibson, Christie Lites Seattle
Totem Lake Shoe Repair
Orchestra
Conductor
(09/15/26–10/08/26)
Tim Symons
Conductor
(10/08/26–11/15/26)
Rebecca Smith
Violins
Winnie Dungey, Elena Vukosavljev
Bass
Olivia D Hamilton or Ethan Sobotta
Flute/Piccolo
Susan Telford or Cassie Lear
Clarinet/Soprano Sax
Lori Shepherd
Trumpet
Brian Shaw or
Greg Lyons
Trombone
Keith Winkle or Nathan C Vetter
Tuba
Clayton Dungey
Keyboard 1
Ben Bentler or Gabriel Mangiante
Keyboard 2
Joseph Tancioco
Banjo/Guitar
Greg Fulton or Anthony Pooley
Drums
Brian Kirk
Percussion
Jesse Whitford
A Note from Adam Immerwahr
Artistic Director
Dear Patrons,
Ragtime is based on E. L. Doctorow’s acclaimed historical fiction novel, which won the first National Book Critics Circle Award for fiction in 1975. Weaving together historical characters (educator Booker T. Washington, escape artist Harry Houdini, model Evelyn Nesbit, anarchist Emma Goldman, architect Stanford White, financier J.P. Morgan, industrialist Henry Ford, and more) with a cast of characters entirely of his own invention, the story portrays a rapidly changing nation at the beginning of the 20th century, where the promises for the future compete with the realities of the present.
Throughout the years, I’ve revisited Ragtime over and over, seeing productions on Broadway, in Connecticut, Virginia, D.C., Pennsylvania, and anywhere else I could. And as the years have passed, I’ve continued to find more relevance to this story. Of course, the lush score continues to enchant, and the beauty of the writing never fails to touch my heart; but the story itself—of the vastly different American dreams that are available to each of us depending on our circumstances—has become a more important part of the experience every time I’ve seen it. Have I changed in how I’m receiving the show, or am I seeing it differently because the world I live in continues to change? Perhaps it is a little of both.
Programming Ragtime this season, as we mark the 250th anniversary of the signing of the Declaration of Independence, is an invitation to you, our audience, to sit with the questions Doctorow was asking 50 years ago about a country still deciding what it wants to be. And my wish is that the conversation doesn’t end when the lights come up; I hope it continues on your drive home and at your dinner table.
Next up is one of the most-requested titles by Village Theatre audience members: the international phenomenon, Come From Away. Set in Newfoundland, Canada, this exquisite story of how unexpected community formed in the aftermath of one of the greatest tragedies of our time will restore your faith in humanity itself. It’s a joyous, life-affirming, and powerfully uplifting musical. Learn even more about this show’s incredible Seattle ties on page 14. I can’t wait to share our new production of it, directed by internationally acclaimed theater and opera director Timothy Douglas.
I’ll see you in the lobby,
Adam Immerwahr
Artistic Director
A Note from Derek Watanabe
Managing Director
Dear Patrons,
When people think about supporting local theater, buying a ticket is typically the first thing that comes to mind. And that support is incredibly important. Every ticket purchased, every subscription renewed, and every new patron who walks through our doors helps make live theatre possible.
But ticket revenue alone has never been enough to sustain professional regional theater. Donors bridge the gap between ticket sales and the cost of creating live theater.
Like most non-profit arts organizations across the country, Village Theatre continues to navigate the financial impact of the pandemic. We have focused our limited resources on what matters most: creating exceptional artistic experiences on our stages and reaching new audiences. As a result, our subscriber family is growing, single ticket sales are increasing, and more people are discovering or returning to Village Theatre every season. This momentum is encouraging, and not enough to offset today’s financial pressures.
That is where philanthropy plays an essential role for a non-profit theatre like Village. An increase in the generosity of individuals, companies, and foundations will allow us to further invest in artistic excellence, deepen our engagement with the communities we serve, and accelerate our path toward long-term financial sustainability.
If you are already a donor, thank you. Your generosity and belief in Village Theatre makes our work possible, and I hope you will consider deepening your support to shape Village Theatre’s next chapter.
If you have never made a gift, join the more than 2,000 donors that supported Village Theatre last year. Your tax-deductible contribution, at any level, helps ensure that Village Theatre remains a vibrant place for artistic excellence, education, and community impact for generations to come. Gifts can be made online, in person, or by mail, and contributions may also be made through stock, payroll deduction, a donor advised fund, or an IRA.
In this digital age, live theater matters more than ever. It gives us opportunities to gather as a community, delight in shared experiences, encounter new ideas and old stories, and spark conversations that continue long after the curtain falls. It entertains us, challenges us, inspires us, and reminds us of our shared humanity. That’s why supporting the arts is one of the most meaningful investments a person can make.
Thank you for being part of our story.
Warmly,
Derek Watanabe
Managing Director
Village Theatre

Musical Numbers
Act One
“Prologue: Ragtime”
Company
“Goodbye, My Love”
Mother
“Journey On”
Father, Tateh, and Mother
“The Crime of the Century”
Evelyn Nesbit and Company
“What Kind of Woman”
Mother
“A Shtetl iz Amereke”
Immigrants
“Success”
Tateh, J.P. Morgan, Harry Houdini, Emma Goldman, and Company
“His Name Was Coalhouse Walker”
Coalhouse and Harlem Ensemble
“Gettin' Ready Rag”
Coalhouse and Harlem Ensemble
“Henry Ford”
Henry Ford and Company
“Nothing Like the City”
Tateh, Mother, Little Boy, and Little Girl
“Your Daddy's Son”
Sarah
“The Courtship”
Coalhouse, Mother, and Company
“New Music”
Father, Mother, Younger Brother, Coalhouse, Sarah, and Company
“Wheels of a Dream”
Coalhouse and Sarah
“The Night that Goldman Spoke at Union Square”
Younger Brother, Emma Goldman, and Company
“Gliding”
Tateh
“Justice”
Coalhouse, Sarah, and Company
“President”
Sarah
“Till We Reach That Day”
Sarah's Friend and Company
Act Two
“Entr'acte”
Orchestra
“Coalhouse's Soliloquy”
Coalhouse
“Coalhouse Demands”
Coalhouse, Willie Conklin, Booker T. Washington, and Company
“What a Game”
Father, Little Boy, and Men
“Atlantic City”
Evelyn Nesbit, Harry Houdini, Father, and Company
“Buffalo Nickel Photoplay, Inc.”
Tateh
“Our Children”
Mother and Tateh
“Sarah Brown Eyes”
Coalhouse and Sarah
“He Wanted To Say”
Emma Goldman, Younger Brother, Coalhouse, and Harlem Ensemble
“Back to Before”
Mother
“Look What You've Done”
Booker T. Washington and Harlem Ensemble
“Make Them Hear You”
Coalhouse
“Epilogue: Ragtime / Wheels of a Dream”
Company

Who’s Who
Cast
BRANDI BIRDSONG, (Harlem Activist and Others) is a performing artist and educator. Select credits include Nettie in The Color Purple and Ronette in Little Shop of Horrors (Village Theatre), Adriana in The Comedy of Errors (Seattle Shakespeare), Les Troyens with Seattle Opera, and NPR Music Live Sessions with Classical King FM.
@brandi.birdsong
ZACHARY “DUKE” BRUCE III, (Coalhouse Walker III) is ecstatic to be making his Village Theatre debut after recently appearing in his first production, Peter Pan, through the Acts on Stage Teen Summer Musical. Duke enjoys music, art, reading, chess, and WWE wrestling. He also loves creating fun videos and sharing adventures on his Instagram page, @fun.with.duke. Duke would like to thank his family, friends, and teachers for cheering him on every step of the way.
KOOPER CAMPBELL, he/him (Younger Brother) is thrilled to be a part of this show! Previously at Village: Josh/Ensemble in 9 to 5: The Musical and Joe Pesci in Jersey Boys. Select roles: Blade and u/s Bones in Freak the Mighty (Cleveland Playhouse), Jack Dawson in Titanish (Seattle Public Theater), and Soldier in Spirit Parlour (Cafe Nordo/Nebula). Endless love to Juliette and their two kitties: Snufkin and Toodles! koopercampbell.com
JADEN DOMINIQUE, she/her (Sarah) is from Valencia, California. Credits include Off-Broadway’s The Big Gay Jamboree, national tours include Shucked, Jesus Christ Superstar (50th Anniversary) and Emojiland, and regional productions of Little Shop of Horrors, 9 to 5: The Musical, The Secret Garden, The Color Purple, and Ragtime. She thanks God, her family, her agent Michael Rodriguez, Link, and the Ragtime team for their support and love throughout. For more on Jaden’s journey, follow on Instagram and Facebook @Jaden.Dominique
ARI HUNTER, (Coalhouse Walker III) is thrilled to make her big stage debut in this production! Ari has performed as Moana and Simba in Hope Theatre Group’s summer camps, and as an Oompa Loompa in Willy Wonka at her school. When she’s not on stage, Ari enjoys swimming, drawing, Minecraft, and making memories with her family. She thanks her family for their love and support!
MARK IVY, he/him (J.P. Morgan and Others). Houston native Mark Ivy makes his Village Theatre debut after performing with many of Houston’s premier theatre companies, including Theatre Under the Stars and Alley Theatre, as well as Southern California’s La Mirada Theatre. Favorite credits include Olaf in Disney’s Frozen, Barfée in The 25th Annual Putnam County Spelling Bee, Horton in Seussical the Musical, Seymour/Mushnik in Little Shop of Horrors, and Dennis in All Shook Up. BFA in musical theater from Sam Houston State University. Always for Jacob and family. @themarkivy
ERIC POLANI JENSEN, (Grandfather and Others, Fight Captain) has been part of the Pacific Northwest theater scene for over 30 years. Recent credits at Village Theatre include: Andrew MacLaren in Brigadoon, Waxman/Steve in Jersey Boys, Mushnik in Little Shop of Horrors and Maraczek in She Loves Me. He has performed at The 5th Avenue Theatre, ACT Theatre, Seattle Children’s Theatre, Taproot Theatre and Harlequin Productions amongst others. Thank you for supporting live theater.
ZHANEA JUNE, she/her (Sarah’s Friend and Others, u/s Sarah) is thrilled to return to Village after 2024-2025 season’s run of The Color Purple as u/s Celie and most recently a Swing in Jesus Christ Superstar (The 5th Avenue Theatre). June studied musical theater at Howard University and vocal performance at Musicians Institute and is now a local vocal coach. She thanks her wife and daughter for their love and support in making her dreams a reality.
SLOANE LEWIS, (Little Girl) is thrilled and honored to make her Village Theatre Mainstage debut as Little Girl in Ragtime. Recent credits include Chloe/Young Alice in Wonderland and Little Red in Into the Woods (Ballyhoo Theatre); Mr. Feldzig in The Drowsy Chaperone JR. (Seattle’s Performers), and Tessie in Annie (Ballyhoo Theatre and Seattle’s Performers). She enjoys reading, singing, knitting, and spending time with friends. She’s incredibly thankful to her family, friends, and teachers for their support.
DONOVAN MAHANNAH, he/him (Harlem Trumpet Player and Others) is a Seattle-based actor known for his dynamic performances across the Pacific Northwest. He has graced the stages of Village Theatre, The 5th Avenue Theatre, ACT Theatre, Seattle Shakespeare Company, ArtsWest, Taproot Theatre, and more! Notable roles include Junior Davis in Choir Boy (ACT Theatre/The 5th Avenue Theatre), Johnny in Covenant (ArtsWest), and Boyet in Love’s Labour’s Lost (Seattle Shakespeare Company). Donovan is grateful for the unwavering support from all who have championed his artistic journey.
NICK MCCARTHY, (Harry Houdini and Others, u/s Tateh) is thrilled to be back at Village Theatre after recently being seen rocking and rolling in Grease last spring! You may have also seen him in various productions at The 5th Avenue Theatre, such as Elf the Musical, Bye Bye Birdie, Waitress, and Disney’s Mary Poppins. Additional credits include: Frederic in Pirates of Penzance, George in The Drowsy Chaperone, and Danny in Schwartz’ The Magic Show (The Magic Castle). Love to Em, M&D, and family. @NickCMcCarthy
WILL PENGELLY, he/him (Little Boy) has performed with Seattle’s Performers for the past three years, appearing in Willy Wonka, 13: The Musical, The Drowsy Chaperone, Disney’s Frozen, and Beetlejuice, including several leading roles. Outside of the theater, Will enjoys playing baseball, mastering wheelies on his electric motorcycle, and playing video games. He thanks his family, friends, and directors for their support.
MATTHEW POSNER, (Father). Last seen as Nick Massi in Jersey Boys, this is Matthew’s 12th show with Village. Performances include Into the Woods, Matilda The Musical, Billy Elliot, Fiddler on the Roof, Camelot, and She Loves Me. Matthew is the “Singing Tour Guide” with Show Me Seattle, a successful voice-over artist, and puppeteer! Currently building a full musical production of Scrooge all with puppets, this December at Renton Civic Theatre. Love to his family and Alyssa. @handtomouthcreative
JED RESNICK, he/him (Tateh). Broadway: Avenue Q. National Tours: MJ, Company, Rent. Off-Broadway: The Wanderers (Roundabout Theatre), Pulitzer Prize-winning Fairview (Soho Rep, Theatre for a New Audience), Avenue Q (New World Stages). Regional: Berkeley Rep, City Theatre Company, Actors Theatre Louisville, Weston Playhouse, Peterborough Players. TV/Film: “Dear Edward” (Apple TV+), She’s Marrying Steve. BA in theater from Brown University. For Bobbi and Zayde. @jedres
YUSEF D SEEVERS, he/they (Coalhouse Walker, Jr.) is a queer Detroit native and very thrilled to be supporting this production and its life. He holds an MFA in acting from Southern Methodist. Select credits: TopDog/UnderDog (ArtsWest), Blues for an Alabama Sky (Seattle Rep), Something’s Afoot and Sweeney Todd: The Demon Barber of Fleet Street (The 5th Avenue Theater), and Black Nativity (Intiman Theatre). Thank you, Mom and Dad, for always making sure I found joy. @Blackbassclef, Yusefseevers.com.
SAWYER SETTLES, she/her (Little Girl) is over the moon to make her Village Theatre debut in Ragtime! She has been singing for as long as she has been talking and is so grateful to be part of this timeless production. A big thank you to Mom, Dad, Char, her PNWPA coaches and teammates, and all her family and friends for always singing along. Dreams really do come true! @sawyersettles_
OWEN SHAFLIK, (Little Boy) is thrilled to make his Village Theatre Mainstage debut as Little Boy in Ragtime. Some of his previous credits include Jack Scott in High School Musical JR. in Concert (Village Theatre’s KIDSTAGE), Ralphie in A Christmas Story: The Musical (RBCC Players), and Charlie Bucket in Willy Wonka JR. (Seattle’s Performers). Owen loves every chance to be on stage and is grateful every time he is trusted with a new role.
JASMINE JEAN SIM, she/her (Emma Goldman and Others). Last seen here as Rizzo in Grease! Jasmine is a founding Core Company at Union Arts Center (formerly ACT Theatre) and has worked with many of Seattle’s theaters and burlesque houses. She was nominated for two Gregory Awards in 2019 (one for Village Theatre’s The Noteworthy Life of Howard Barnes) and again in 2025, all of which she lost gracefully. Love always to Mom & Dad, Pete & Willa & Paloma & Diego, Andie, and hot server Ben.
CHARLES L. SIMMONS, (Harlem Barber and Others, Dance Captain, u/s Booker T. Washington) is a performing artist from Tacoma, WA, and is honored to return to Village’s stage. Previous credits include 9 to 5: The Musical, The Color Purple, Legally Blonde: The Musical, Beautiful: The Carole King Musical, Dreamgirls, Hairspray, You’re A Good Man, Charlie Brown (Village Theatre), Disney’s Beauty and the Beast, The Wiz, and Jesus Christ Superstar (The 5th Avenue Theatre). IG: @Frogman0606
BRIANNA SIMS, (Coalhouse Walker III) is thrilled to perform in Ragtime for her first show with Village Theatre. Previous roles include Flying Monkey and Toq in Oz! (Redmond Academy of Theatre Arts), and her on-screen debut in Seattle’s 48-Hour Film Project short film, Pretty Horses. Brianna enjoys time with family and friends, playing sports, acting, and singing. @the_official_briannas
ARLANDO SMITH, (Booker T. Washington and Others) is so happy to return to Village Theatre with this American classic! Previously at Village, he appeared in The Book Club Play. Elsewhere locally, he has worked at ACT Theatre, Book-It Repertory Theatre, Seattle Opera, Seattle Children’s Theatre, Seattle Rep, Seattle Shakespeare Company, Spectrum Dance and Taproot Theatre. Further afield, he has performed at the Edinburgh Fringe, the Kennedy Center, the Los Angeles Theatre Center, and The Public Theater. arlandosmith.com
MIKE SPEE, (Henry Ford and Others, u/s Father). What a joy to be back at Village! Mike’s previous shows here include Disney’s Newsies, My Fair Lady, and Fiddler on the Roof. Other favorite credits around town: The Boy Who Kissed the Sky, James and The Giant Peach, and Goodnight Moon (Seattle Children’s Theatre), Spring Awakening (Balagan Theatre), Bright Star and Godspell (Taproot Theatre). When not at the theatre, Mike can often be found playing with LEGO or gardening. Love to Hunter and Sara!!
ALLISON STANDLEY, (Mother). Village Theatre: Amalia Balash in She Loves Me, Cinderella in Into the Woods, Eliza Doolittle in My Fair Lady, Cabaret, Les Misérables. Others: The 5th Avenue Theatre, Strawberry Theatre Workshop, Taproot Theatre. Gregory Award recipient for The Wild Party (Sound Theatre Company). Allison runs an independent voice studio and has played mother in real life for three years - her favorite role to date. This one is for the abundance of strong women in Allison’s life - particularly Karia.
CHANDLER T. THOMAS, he/him (Harlem Lawyer and Others, u/s Coalhouse Walker, Jr.) is honored to be returning to Village Theatre’s stage. Previous Village mainstage credits include: Pa in The Color Purple, Agwe in Once on This Island, a Drifter in Beautiful: The Carole King Musical, Ensemble and u/s CC in Dreamgirls, and Ensemble and u/s Seaweed in Hairspray. Other local credits: Ain’t Misbehavin (Taproot Theatre), The Fantasticks (Dukesbay Productions), Annie and Mamma Mia! (The 5th Avenue Theatre) and more. @chandler_t_thomas
MIRANDA ANTOINETTE WESTMAN, she/her (Evelyn Nesbit and Others) is thrilled to return to Village Theatre after last appearing as Luisa in The Fantasticks. Other credits include u/s Betty Haynes in Irving Berlin’s White Christmas, Rapunzel in Into the Woods (The 5th Avenue Theatre), Madam Maybell in Hitchcock Hotel (Can-Can Culinary Cabaret), and Louise LeBreton in The Hello Girls (Taproot Theatre). She co-wrote and is developing the new musical The Price of Salt with her wife, Em Westman. @thepriceofsaltmusical.
@mirandasforbiddensongbook.
CAMERON WIDMARK, (Willie Conklin and Others) is delighted to be a part of Ragtime and working again with Village Theatre. Cameron's debut with Village was Jersey Boys, and they have also been a part of Sweeney Todd: The Demon Barber of Fleet Street (The 5th Avenue Theatre), Sunset Boulevard (Showtunes Theatre Company), and Dracula (Renton Civic Theatre). Cameron is also an author, teacher, D&D nerd, and part-time axe throwing viking. If you wish to see more of them, you can find them on Instagram @Coat_of_Roses.
Understudies
ANIA BRIGGS, she/her (u/s Sarah's Friend, u/s Harlem Activist and Others) is thrilled to be back at Village! Ania is a Seattle-based actor, vocalist, and jack of all trades. Some of her favorite roles include: Chiffon in Little Shop of Horrors (Village Theatre), Rita in White Christmas (The 5th Avenue Theatre), and Fabian in Twelfth Night (Seattle Shakespeare Company). Ania wants to thank her family, friends, and loving Husby for their support. As always, this one is for Michelle.
WILL CHADEK, he/him (u/s Younger Brother, u/s Harry Houdini, u/s Henry Ford and Others), a former Village Theatre’s KIDSTAGE performer, is excited to make his Village Theatre Mainstage debut! A recent graduate of Point Park University, he was recently seen as Peter in Jesus Christ Superstar (The 5th Avenue Theatre). He would love to thank his family and girlfriend Reagan for their support and the Seattle area for welcoming him to his new performing home.
CHERISSE MARTINELLI, (u/s Evelyn Nesbit, u/s Emma Goldman and Others). Forever grateful to be back at Village Theatre, this time in a dream show! Favorite credits include: Grease and Legally Blonde: The Musical (Village Theatre), Waitress (The 5th Avenue Theatre/Theatre Under the Stars), Sister Act and Joseph and the Amazing Technicolor Dreamcoat (Taproot Theatre), Jersey Boys (Great Lakes Center for the Arts). Outside the theater, Cherisse is pursuing a Master’s in counseling and care. For la familia Martinelli and the guy!
CHRISTOPER PUCKETT, (u/s J.P. Morgan, u/s Grandfather, u/s Willie Conklin and Others) is thrilled to make his Village Theatre debut with Ragtime. Previous roles include Captain Von Trapp in The Sound of Music (Leavenworth Summer Theater), Lloyd in Noises Off (Fort Peck Summer Theater), and Richard Greatham in Hay Fever (Circle of Fire). He holds a BA in vocal performance from Seattle Pacific University and an MM from Bard College Conservatory of Music.
ELIJAH YALE, (u/s Harlem Trumpet Player, Barber, Lawyer and Others) is ecstatic to make his Village Theatre debut with Ragtime! Recent credits include Joseph and the Amazing Technicolor Dreamcoat (Taproot Theatre), Dear Evan Hansen and Annie (Tacoma Musical Playhouse), and Story of an Off-Brand Band (Acts on Stage). He is represented by Big Fish Northwest Talent. Much love and gratitude to his family and friends for their continued support, and especially to his wife, Chanel, for her love, care, and encouragement.
JESSICA ZIEGELBAUER, (u/s Mother) is over the moon to be making her Village Theatre debut the year she became a mother! Some favorite past Puget Sound credits include: Anya/Princess Anastasia in Anastasia: The Musical, Bertha Hunt in The Hello Girls, Jo March in Little Women, Baker’s Wife in Into the Woods, and Cathy Hiatt in The Last Five Years. Many thanks to this amazing team of creatives. All the love to her baby girl and supportive husband! Psalm 115:1
Creative Team
JOE CALARCO, (Director). Called “a theater man of imagination and vision” by the New York Times, Joe Calarco is a multi-award winning director and playwright whose work has been seen across the country and around the world. He is the winner of four Helen Hayes awards (Assassins, Urinetown, Side Show, Nijinsky’s Last Dance), two Barrymore Awards (The Light in the Piazza, Ordinary Days), a Berkshire Theatre Critic’s Award (Waiting for Godot), the Lucille Lortel Award for his play Shakespeare’s R&J, and has been nominated for two Drama Desk Awards, multiple Jefferson Awards, and the Evening Standard Award. He is thrilled to be making his debut at Village with this important show during these challenging times. Website: thejoecalarco.com
TIM SYMONS, (Music Supervisor, Conductor) is the Resident Music Supervisor at Village Theatre, where he oversees all aspects of music for the company. Select credits include Brigadoon, The Color Purple, Legally Blonde: The Musical, Jesus Christ Superstar, Cabaret, Hart Island, Billy Elliot, The Who’s Tommy (Village Theatre); Rock of Ages, Disney’s The Hunchback of Notre Dame, Romy & Michele’s High School Reunion (The 5th Avenue Theatre); Assassins (ACT Theatre); Man of La Mancha, Xanadu (Arizona Theatre Company). Original scores for Seattle Children’s Theatre, Seattle Shakespeare Company, Village Theatre. Love to Taylor, Cedar and Winslow!
SHEILAH V WALKER, (Music Supervisor). Village Theatre: Music Supervisor for The Color Purple. London: Music Supervisor for Olivier-nominated Ragtime. Broadway: Associate Conductor/Accordionist for Tony Award-winning revival of Fiddler on the Roof, Conductor for Ragtime (Lincoln Center). Conductor for Porgy and Bess (American Repertory Theater), The Color Purple, Ragtime, and Fiddler on the Roof (first National Tours). Associate Conductor for Drood, Hello, Dolly!, Singin’ in the Rain. Music Supervisor for Shout Sister Shout! (Seattle Rep and Ford’s Theatre). Conducted in Europe, Canada, Japan, and Puerto Rico. Voice coach/accompanist for more than 10 years in NYC.
JIMMY SHIELDS, he/him (Choreographer) is a full-time artist in every sense of the word. Whether it be on the stage or behind the table, the arts have always been a driving force in his life. Previous work includes: You’re a Good Man, Charlie Brown, Mamma Mia!, Dreamgirls, Hairspray, Matilda (Village Theatre), The Prom and Jesus Christ Superstar in Concert (Village Theatre’s KIDSTAGE). Keep up with Jimmy on Instagram: @Jimmystar5
REBECCA SMITH, (Conductor, Associate Music Director) is a local pianist and musician with a deep love of storytelling through music and art. Having previously worked on bringing stories to life like The Color Purple (Village Theatre), Elf the Musical and After Midnight (The 5th Avenue Theatre), they are thrilled and honored to be a part of building a world of Ragtime to share with you all. They hope you think and feel deeply and that you enjoy the show!
CHRISTOPHER MUMAW, he/him (Scenic Designer) is a multi-disciplinary theater artist and experiential designer based in Seattle, Washington. Christopher has designed numerous shows for companies across the Pacific Northwest and beyond, including Seattle Rep, The 5th Avenue Theatre, Portland Center Stage, Seattle Opera, Kentucky Opera (Louisville), Wolf Trap Opera (D.C.), Inland Northwest Opera (Spokane), Book-It Repertory Theatre, ArtsWest, Seattle Public Theater and Vespertine Opera Theater. Village Theatre credits include: Disney’s Newsies, The Noteworthy Life of Howard Barnes, You’re a Good Man, Charlie Brown (Mainstage); Cubamor, Writing Kevin Taylor, String, How to Break, Afterwords, ZM, The Passage, Hart Island (Village Originals), School of Rock, Pippin, Disney’s The Little Mermaid (Village Theatre’s KIDSTAGE). Christopher holds a BFA from Wright State University and an MFA from the University of Washington and is a member of IATSE USA Local 829. Christophermumawdesign.com
SARITA P. FELLOWS, (Costume Designer) is thrilled to be working at Village Theatre. Sarita has enjoyed working on regional, Off Broadway, Broadway and film productions for the past 25 years. Currently Sarita has a production Theater of the Mind running in Chicago with the Goodman Theatre produced by David Byrne. She enjoys working with choreographers such as Edisa Weeks and Liz Lerman. Some of her awards include Outstanding Achievement in Costume Design (The National Black Theater Festival 2022), and a Lilly Award (2020). She enjoys working with the youth and teaches at the University of Connecticut. For more past and upcoming please visit saritafellows.com.
SHERRICE MOJGANI, (Lighting Designer) recently designed The Color Purple (Village Theatre), Purpose, Derecho and The Garden (La Jolla Playhouse), Fences, The Comedy of Errors and All’s Well That Ends Well (The Old Globe), Bulrusher and Blues for an Alabama Sky (McCarter Theatre Center), The Mountaintop and The Curious Incident of the Dog in the Night-Time (Round House Theater), Tiny Beautiful Things and The Folks at Home (Baltimore Center Stage), The High Ground, The Heiress and Two Trains Running (Arena Stage). Sherrice is an Associate Professor at Tulane University. She holds a B.A. in theater arts from University of California Santa Cruz and an M.F.A. in lighting design from University of California San Diego. smojgani.com.
GINO SCARPINO, (Sound Designer). Based out of Seattle, Gino is a sound designer, mixer, composer, and vocalist. Disney’s Beauty and the Beast, Showboat, Chasing Nicolette, Lost in Yonkers, The Gypsy King, The Full Monty, Iron Curtain, Jesus Christ Superstar (Village Theatre); This, New Works Series (Seattle Rep); Peter Pan (360 Entertainment). He was the Audio Supervisor for the Public Theater/NYSF 2004-2006, and mixed productions of The 25th Annual Putnam County Spelling Bee (321 Productions), Brundibar (New Victory Theater), Les Misérables (Marius Company), See What I Wanna See (The Public Theater), Saturday Night Fever (Troika), and Grease (Phoenix). ginoscarpino.com
COLLEEN NIELSEN, she/her (Stage Manager). Previous Village Theatre credits track all the way back to Annie in 2003 through her most recent show, Ken Ludwig’s Baskerville: A Sherlock Holmes Mystery, including working with Village Theatre’s KIDSTAGE and the New Works programs. After her run with Ragtime, she’ll be back in the booth for And Then There Were None. Fun fact: She creates custom nutcrackers based on Village Theater shows. This one is for B.S.M. and J.B.
NICOLA KRAUSE, (Assistant Stage Manager). Nicola was recently an Assistant Stage Manager for Brigadoon (Village Theatre). Previous credits at Village Theatre include Assistant Stage Manager for the 2025 Festival of New Musicals, Production Assistant for Ken Ludwig’s Sherwood: The Adventures of Robin Hood and Assistant Stage Manager for Becoming Dr. Ruth.
MIRANDA MIKOLAIZIK, (Assistant Stage Manager) is so excited to be working on this show! She is also grateful to be serving as the theatre’s Resident Stage Manager. Miranda has worked on a number of shows at Village since 2014 including Dreamgirls, Matilda, Songs for a New World, Legally Blonde: The Musical, The Color Purple, 9 to 5: The Musical, and Grease. She also stage manages for The 14/48 Projects whenever possible and loves lifting heavy things. All the love to Chris and the kittens.
ANNA VRANEY, (Assistant Stage Manager) is thrilled to be back at Village Theatre. Her previous work with the company includes Hello, Dolly!, Once on This Island, and most recently, Grease. Other credits include Disney’s Mary Poppins, Into the Woods (The 5th Avenue Theatre), Julius Caesar (Oregon Shakespeare Festival), Goodnight Moon, The Pigeon Gets a Big Time Holiday Extravaganza (Seattle Children’s Theatre) and The Skin of Our Teeth (Seattle Rep).
CESSALEE STOVALL, (Cultural Consultant & Dramaturg). Village debut! Cessalee is a cultural consultant, director and intimacy professional for stage and screen. Intimacy: Neighbours (Emmy nominated), Better Man (starring Robbie Williams), The Narrow Road to the Deep North (starring Jacob Elordi), Spring Awakening (Tacoma Little Theatre) and two seasons of 14/48 Project. Also an accomplished actor, favorite credits: Clickbait on Netflix, La Brea on NBC, God in the Australian premier of Is God Is (Melbourne Theatre Company), and 2000+ performances of The Book of Mormon over 6 years! MBA in arts innovation, Founder of Stage A Change. Gratitude to Scott, Alula and YOU for supporting live theatre! www.cessalee.com
ADAM IMMERWAHR, (Artistic Director) is responsible for season selection and also oversees the artistic, education, and production departments. He recently directed Village’s productions of Ken Ludwig’s Baskerville: A Sherlock Holmes Mystery, Dial M for Murder, and Lerner and Loewe’s Camelot. He previously served as Artistic Director of Theater J, the Associate Artistic Director at McCarter Theatre, and the Resident Director of Passage Theatre. Adam’s producing credits include new works by Edward Albee, Christopher Durang, Danai Gurira, Fiasco Theater, Will Power, Stephen Wadsworth, Tarell Alvin McCraney, and Ken Ludwig, several of which have transferred to Broadway or off-Broadway. As a director, Adam’s work has been seen from Aspen to Zimbabwe, including at some of the top theaters in the country: The Public and Theater Row (both for Summer Play Festival), Ensemble Studio Theatre, Walnut Street Theatre, Woolly Mammoth, McCarter Theater, Cleveland Play House, Lyric Theater of Oklahoma, Theater J, Passage Theater, Hangar Theater, Bristol Riverside, and many others. He serves on the Board of the Issaquah Chamber of Commerce and is an inaugural member of the Drama League Director’s Council.
DEREK WATANABE, (Managing Director) has served as Managing Director of Village Theatre since the 2024-25 season and oversees marketing, finance, fundraising, patron services, operations, and facilities. He has been a long-term champion of Village Theatre, as subscriber (28 years), Board member (15 years), Village Originals member, KIDSTAGE parent, and donor. Originally from Honolulu, Derek moved to the west coast to pursue his degrees at Pomona College, UCLA, and USC. He and his wife, Anne, have lived in Issaquah for 29 years, where they raised their 3 children. He can be reached at derek@villagetheatre.org.
The Director is a member of the STAGE DIRECTORS AND CHOREOGRAPHERS SOCIETY, a national theatrical labor union.
All stage work performed by members of IATSE Local 15.
All costume construction and hair/make-up work is performed by employees represented by IATSE TWU Local #887.
All scenic painting work is performed by employees represented by IATSE Local 488.
United Scenic Artists represents the designers and scenic painters for the American Theatre.
The actors and stage managers employed in this production are members of Actors’ Equity Association, the union of professional actors and stage managers in the United States.
The theatre operates under an agreement with Local 76-493, American Federation of Musicians, AFL-CIO, representing the musicians.
Village Theatre proudly participates in the Theatre Puget Sound presented Gregory Awards for Excellence in Local Performing Arts.

Past, Present, and Ragtime
By Ellen Morgan Peltz
E. L. Doctorow’s sprawling 1975 novel Ragtime has a surprisingly simple origin. Stuck with writer’s block, Doctorow gave himself a writing exercise: imagine what was happening in and around his New Rochelle Victorian home at the turn of the century. That thought experiment, which produced a bestselling book, a Hollywood film, and a theatrical masterwork, continues to serve as Ragtime’s superpower: with every new adaptation, the story invites its audience to consider the past from the perspective of the present.
Doctorow was already a celebrated novelist when Ragtime was published in 1975, famous for reinventing his writing style with every book. Two bold authorial decisions in Ragtime would shape every adaptation to come. The first was his fictionalization of historic figures like Harry Houdini, Emma Goldman, and J.P. Morgan (a technique New Yorker editor William Shawn reportedly deemed “immoral”). The second was his massive cast of characters. By intertwining so many lives, Doctorow captured both the promise of the American dream and the cracks in its foundation, a message that hit home with Americans in the wake of the 1960s and ‘70s social-protest movements.
Five years later, director Miloš Forman (One Flew Over the Cuckoo’s Nest) set out to turn the bestselling novel into a blockbuster movie. Working with a Michael Weller script and a star-studded cast including James Cagney, Howard Rollins Jr., Elizabeth McGovern, and Mary Steenburgen, Forman whittled the kaleidoscopic novel down to a period drama focused primarily on one character. Doctorow felt that narrowing the scope harmed the overall message of the story; but when the film premiered in 1981, at the dawn of a presidential administration built on nostalgic “traditional values,” its unflinching look at race, police brutality, and institutional corruption read as undeniably subversive.

Ragtime didn’t resurface in the national consciousness for another 15 years. In the early 1990s, theater producer Garth Drabinsky envisioned a stage treatment of Ragtime in which music would amplify the story’s deep social tensions and built- in metaphors like illusion, escape, silhouettes, and ragtime itself. Playwright Terrence McNally, lyricist Lynn Ahrens, and composer Stephen Flaherty were brought on to wrestle the book into a musical epic, and by January 1994, the press was reporting that the next “mega-musical” was officially in development.
Ragtime opened on Broadway in January 1998 with a powerhouse cast featuring Brian Stokes Mitchell, Audra McDonald, Marin Mazzie, and Peter Friedman. This time, Doctorow was thrilled. “It caught the spirit of the piece,” he told The New York Times. The show earned 13 Tony nominations and won four—including Best Book and Best Score—before closing two years later under massive running costs.
Subsequent productions proved the show’s remarkable adaptability. A 2009 revival, opening just months after the inauguration of Barack Obama and in the shadow of a global financial crisis, stripped the set down to a three-story steel scaffold that emphasized the story’s social hierarchies.
“...The past is a mirror. If we look at it directly, we’ll see ourselves...”
In 2025, Ragtime made a triumphant Broadway return starring Joshua Henry, Caissie Levy, and Brandon Uranowitz. Arriving in a polarized landscape with echoes of the 1970s, it dominated the Tony Awards with 11 nominations and four wins, including Best Revival.
Doctorow died in 2015, without seeing this latest chapter in his story’s life. Yet in every era in which Ragtime resurfaces, it manages to feel undeniably present. Credit the simple magic embedded in that original writing exercise: the past is a mirror. If we look at it directly, we’ll see ourselves—whether we’re standing in a Victorian house in New Rochelle or sitting in a dark theater, waiting for the curtain to rise.

Next On Stage: Come From Away
“Welcome to the rock.”
These iconic lyrics have been heard all over the world, from Broadway to Buenos Aires, Madrid to Melbourne. But did you know that Come From Away traces its origins to Seattle and two of its early commercial producers, Kenny and Marleen Alhadeff?
The Alhadeffs first encountered the musical at the National Alliance for Musical Theatre’s 2013 Festival of New Musicals in New York. Written by David Hein and Irene Sankoff, it tells the story of the planes and passengers stranded in Gander, Newfoundland, following the September 11 attacks. Even from the 45-minute excerpt presented, the Alhadeffs were inspired. The key to their participation in the show? Be the first in line to greet the writers as soon as the lights came up.
“You’ll have a big part of the Broadway cast on your stage every night—the fish!”
“It’s not who I am,” said Kenny, “but I was so overwhelmed by the presentation, I said, ‘I’m Kenny Alhadeff, I’m a Tony Award-winning producer, and we want to do your show.’” From there, a partnership was born. The Alhadeffs brought the team to their hometown, and Seattle Rep hosted a workshop where the show found its way to incorporate some darker subjects and remove its intermission. The Alhadeffs knew the show was something special, but they needed a wide range of audience reactions to gauge its viability. They took the show to La Jolla Playhouse, then back to Seattle Rep, then to Washington, D.C., where they met with families of victims at the Pentagon, then Gander to meet the Newfoundlanders, and finally, Toronto. The show opened on Broadway in 2017 and was nominated for seven Tony Awards, including one for Best Musical.
Since its Broadway success, Come From Away has become the most-produced musical in regional theatres across the United States; and, as of this article, is scheduled for 552 unique productions in cities far from Gander, like São Paulo, Brazil; Valletta, Malta; and Oslo, Norway. Kenny and Marleen’s love for the show and its community is abundantly clear when you hear them speak. They even own one of the most recognizable props, which they’re loaning to Village’s production: “You’ll have a big part of the Broadway cast on your stage every night—the fish!”
What makes this show so beloved and universally acclaimed? Kenny reflected, “It’s more about September 12th and everything that came after. It’s about decency.” Marleen added, “Everybody belongs. You can see yourself in the piece. We all have a role and a calling to be better than we have been.”
Sponsor Spotlights
ArtsFund is proud to support Village Theatre’s mission as they continue to produce dynamic programming that highlights innovative artists in the Pacific Northwest. ArtsFund’s support of local arts organizations is only possible through the contributions of donors in this community, and we are immensely grateful to the generous individuals and businesses who have supported ArtsFund as well as Village Theatre. We will continue to support arts organizations, like Village Theatre, that elevate the voices of Washington state through our leadership, advocacy, and grantmaking programs. We are excited to see what will be performed throughout this season!
Microsoft is pleased to sponsor Village Theatre’s 2026–2027 Season, and to welcome you to this production of Ragtime. Village Theatre is a favorite among our employees and their families, and we are delighted to support a vibrant community arts organization that brings high quality entertainment to the Eastside. We encourage employee engagement and volunteerism in the community throughout the year and through support of great organizations like Village Theatre, we aim to foster a strong community culture where the arts will thrive for generations to come. Enjoy the show!
Lombardi’s Italian Restaurants & Catering is honored to be a long-time Village Theatre sponsor! Lombardi’s delights diners at their three locations: at the scenic Everett Marina, the bustling Bellingham Marina, and their newest culinary venture, Hook & Cleaver, in Mukilteo. Date night or any night, experience Lombardi’s classic and contemporary Italian cuisine from all around Italy. Sip your favorite Washington and Italian wines, savor a handcrafted cocktail, or enjoy one of the many local brews with your meal. Village Theatre and Lombardi’s, the perfect pairing!
Print Edition

More About Village Theatre
Village Visionaries
30+ Year Subscribers
Individual Donors
Corporate, Foundation, and Government Donors
Legacy Estate Memorial Donors and In Honor Members
About Village Theatre
Village Theatre Staff Directory
Village Theatre Executive Leadership and Board of Directors